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Neo-Renaissance (8)

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Renaissance Revival architecture (sometimes referred to as "Neo-Renaissance") is a group of 19th century architectural revival styles which were neither Greek Revival nor Gothic Revival but which instead drew inspiration from a wide range of classicizing Italian modes. Under the broad designation Renaissance architecture nineteenth-century architects and critics went beyond the architectural style which began in Florence and Central Italy in the early 15th century as an expression of Renaissance humanism; they also included styles that can be identified as Mannerist or Baroque. Self-applied style designations were rife in the mid- and later nineteenth century: "Neo-Renaissance" might be applied by contemporaries to structures that others called "Italianate", or when many French Baroque features are present (Second Empire). The divergent forms of Renaissance architecture in different parts of Europe, particularly in France and Italy, has added to the difficulty of defining and recognizing Neo-Renaissance architecture. A comparison between the breadth of its source material, such as the English Wollaton Hall, Italian Palazzo Pitti, the French Château de Chambord, and the Russian Palace of Facets—all deemed "Renaissance"—illustrates the variety of appearances the same architectural label can take.

Renaissance Revival architecture - Wikipedia

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Data Points with Word "Neo-Renaissance"

St. Vitus's church was transformed and renamed the Basilica of Mary Help of Christians, a significant Slovenian national sanctuary since 1863. Renowned architects contributed to its ornate design, including Ivan Vurnik and Jože Plečnik. The basilica features impressive mosaics and sculptures, including depictions of biblical figures and prophets. Adjacent to the basilica stands a Franciscan monastery housing the modern Nativity Museum. The chapel, though not central, remains the heart of the sanctuary, adorned with paintings and marble. The church's history dates back to the 14th or 15th century, and its present Neo-Renaissance structure, designed by architect Robert Mikovitz, was consecrated in 1900. Inside, Renaissance influences dominate, with intricate artworks by Slovenian artists adorning altars. The grandeur of the church is exemplified by the beautiful tabernacle altar, considered among Vurnik's finest creations.

In 1888, Vila Baiulescu was constructed on Aleea Rudolf, occupying the former location of the Curelarilor Bastion, which had been part of the northern fortifications of the medieval fortress until its demolition in 1887. This remarkable building has since been designated as a historical monument. The Curelarilor Bastion, situated at the northwest corner of the Brașov fortress, boasted a distinctive horseshoe shape, measuring over 40 meters in length and spanning between 14 to 17 meters in width. Its formidable walls, standing at over 4 meters thick at the base and reaching a height of 15 meters, served as a crucial part of Brașov's fortifications. However, the bastion suffered significant damage during the 1738 earthquake, ultimately leading to its demolition in 1887. In the following year, 1888, Dr. Gheorghe Baiulescu, the first Romanian mayor of Brașov (in 1916) and later the inaugural prefect of Brașov county following the Great Union of 1918, saw the construction of his residence on the newly vacant site. Villa Baiulescu was meticulously designed and built by Peter Bartesch in the Neo-Renaissance style. The land for this splendid villa was originally acquired by Manole Diamandi, a prosperous merchant from Brașov and the president of the Brașov 'Action Committee' dedicated to aiding Romanian soldiers wounded in the war of independence. He presented it as a wedding gift to his daughter and son-in-law, Dr. Gheorghe Baiulescu. In 1930, the villa gained a new purpose as it became the home of the library of the Transylvanian Association for Romanian Literature and Culture of the Romanian People (ASTRA), named the 'Dr. Alexandru Bogdan Library.' After nationalization in 1948, it transformed into the city library, then the municipal library of Brașov, until 1969 when it relocated to the former Chamber of Commerce and Industry building nearby. Today, Vila Baiulescu serves as one of the sections of the county library, housing various facilities including the Community Information Center, the British Cultural Center, the Japanese Cultural Center, the Media Library, the English Library, and the French Library. Additionally, the Sustainable Development Agency of Brașov County (ADDJB) operates from this site.

The Euroherc Insurance Building, formerly known as the Rinaldi Palace, dates back to 1890 when it was erected in Rijeka. Architect Vladimir Grubešić designed the "Euroherc" building (previously the 'Croatia Line' building) as the headquarters for Croatia's largest shipping company, serving as a significant symbol of Rijeka's maritime prowess. The construction involved incorporating white marble with reflective glazing, creating a representative structure comprising multiple units that harmoniously blend with the historical surroundings. The Muchovich-Rinaldi palace, originally built in 1890 by architect Randich, was skillfully integrated into this modernist edifice. The palace's facade displays a fusion of Neo-Renaissance and Neo-baroque elements, exemplifying the essence of high historicism. Grubešić, the architect behind the project, took a postmodernist approach, endeavoring to reconcile and preserve valuable architectural components from the late 19th century.

Normann Palace (Palača Normann), located at Trg Ante Starčevića 2 in Osijek, Croatia, is a single-story edifice. Originally constructed in 1891, it served as the residential palace of Count Gustav Normann Ehrenfelski, a prominent landowner from Valpovo. Designed by architect Josip Vancaš and built by Franz Wybiral, the palace stands as a testament to the Neo-Renaissance style of the 19th century. Presently, the building serves as the seat of the Osijek-Baranja county, showcasing its historical significance and architectural grandeur.

The construction of the Governor's Palace began in 1892 at the time of the Governor Lajos Batthyany and based on the design of one of the leading Hungarian architects of the time, Alajos Hauszmann, who had already proved himself on the project of the King's Palace and the Parliament building in Budapest. On a surface area of 12,000 square meters, the simple and monumental corpus of the detached Neo-Renaissance palace was built based on models of the famous Palladi's works, a French park with two fountains and balustrades made of wrought iron and a two-leaf door with sentry boxes. Today it houses the Maritime and Historical Museum of the Croatian Littoral founded in 1961, which contains a maritime, cultural and historical, ethnographic and archaeological department.

The Seokjojeon is a Neo-Renaissance style building designed by British architect John Reginald Harding, used for diplomatic and high-level government meetings. In 2014 its interior was restored to its Korean Empire-period appearance and now houses the Korean Empire History Hall.

Schloss Velden is a castle in the Austrian tourist resort of Velden am Wörther See, Carinthia. It is run as a year-round hotel located on the western shore of Lake Wörth (Wörthersee). The original Renaissance castle was erected from about 1590 onwards as a residence of count Bartholomäus Khevenhüller (1539–1613), Freiherr of Landskron, who had served as ministerialis of the Inner Austrian archduke Charles II. Finished in 1603, the Khevenhüllers lost it already in 1629, when the Protestant dynasty was expelled from the Carinthian lands by Charles' successor, Emperor Ferdinand II, during the Thirty Years' War. Emperor Ferdinand III sold the castle to the Dietrichstein noble family in 1639. Devastated by a blaze in 1762, the remnants were uses as an inn and a postal station. The Dietrichsteins held the Velden estates until 1861. With tourism emerging on the Carinthian lakes in the late 19th century, Velden Castle was rebuilt in a Neo-Renaissance style and opened as a hotel in 1890. It soon became popular with celebrities and royalty. In 1990, the hotel reverted to being the private chateau of German industrialist Gunter Sachs. A backdrop for numerous film productions since the 1950s, Schloss Velden served as the setting for the Austrian/German TV series Ein Schloß am Wörthersee between 1990 and 1992, starring Roy Black. After the building was purchased by Hypo Alpe Adria Bank in 2003, it re-opened in summer 2007 under the direction of Horst Schulze, the founder of Ritz-Carlton and Capella, a hotel management company based in Atlanta, Georgia, under the Capella brand. The Hypo Alpe Adria group sold the premises to Karl Wlaschek in 2011.

Rokiškis Manor (Lithuanian: Rokiškio dvaras) is a former residential manor in Rokiškis. From 1952, used by Rokiškis Region Museum. Rokiškis manor was first mentioned in 1499. The estate belonged to the duchess Elena, Vilnius voivode Mikołaj Radziwiłł. In the beginning of 16th century it went to Timofej Kroszinski and his descendants, the last of whom was Juzef Kroszinski who died in 1715. From 1715 the estate belonged to Tyzenhaus family. Since the beginning of 19th century the manor became permanent residence of count Ignacy Tyzenhaus. During his lifetime new classicist palace was built in 1801 with two officines from both sides. After Tyzenhaus, the estate became the residence of Przeździecki family. In 1905 Jan Przeździecki had started the renovation of the manor pursuant to the project of Karolis Jankovskis and Pranciškus Lilpopas. The palace became more spacious and higher. Yet, its classicist style became eclectic with features of Neo-Baroque, Neo-Gothic and Neo-Renaissance. In 1940 after the Soviet Union occupied Lithuania, the estate was nationalized. After the World War II, the manor housed Rokiškis Sovkhoz, later on cultural institutions. Restoration works took place in Rokiskis Manor at the end of the 20th century. In 2011 Rokiškis manor became a winner in the Tourism and Regeneration of Physical Sites category by EU's project EDEN.

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