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Krka River (Sava) (2)

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The Krka, also known as Gurk in German (German pronunciation: ), and with the Latin name Corcoras, is a river located in southeastern Slovenia within the traditional region of Lower Carniola. Serving as a right tributary to the Sava, it stretches approximately 94.6 km (58.8 mi), making it the second-longest river entirely situated within Slovenia, following the Savinja. The name "Krka" was first documented in 799 as Corca, also appearing as Gurke in 1025 and Gurka fluvio in 1249. Its Slovene derivation stems from the Slavic *Kъrka, which traces back to the Romance names *Corcra or *Corca, believed to have originated from Corcora. Similar names were prevalent among various rivers in ancient times, possibly originating from pre-Romance roots and linked to onomatopoeia. The Krka springs from a karst spring situated in a secluded valley beneath Krka Cave, just north of Krka village, approximately 25 km (16 mi) southeast of Ljubljana. During heavy rainfall, water forcefully cascades through the primary entrance of Krka Cave, forming a vigorous waterfall over its adjacent steps. As it flows southeastward, the Krka passes through several notable locations, including Žužemberk town, Dolenjske Toplice, Novo Mesto town, Otočec Castle, and Kostanjevica na Krki, eventually converging with the Sava at Brežice near the Croatian border. Its primary tributary is the Prečna, which continues from the Temenica River.

Krka (Sava) - Wikipedia

Showing Data Points related to the Word Krka River (Sava)

Data Points with Word "Krka River (Sava)"

Kostanjevica na Krki, situated in southern Slovenia's historic Lower Carniola, rests amid the Gorjanci Hills bordering Croatia. Positioned on the Krka River's island (Krka River (Sava)), it's dubbed the 'Venice of Lower Carniola.' Originally named Kostanjevica and later changed in 1955, this town harbors the oldest city history in the region. Dating back to the 13th century, it housed the Fons Sanctae Mariae Cistercian Abbey founded by Carinthian Duke Bernhard von Spanheim. Initially thriving as a commercial hub during the Late Middle Ages, it endured Ottoman assaults, dwindling in significance by the 17th century but retaining its town status. Designated a cultural and historical monument, Kostanjevica na Krki was acknowledged as a city in 2000. Notably, it harbors one of the two mass grave sites from World War II in the Krakovo Forest, where Partisan forces captured and tragically killed thousands of Croatian soldiers and civilians in May 1945.

Novo Mesto Cathedral, also known as St. Nicholas's Cathedral (Slovene: novomeška stolnica, stolnica sv. Nikolaja), serves as the principal church of the Diocese of Novo Mesto and stands as a prominent landmark within the town. Situated atop a hill overlooking the Krka River (Sava), this stone church holds a significant historical place. Before the establishment of the Diocese of Novo Mesto on April 7, 2006, it functioned as a capitular church and is occasionally referred to as the Capitular Church of St. Nicholas (kapiteljska cerkev or simply Kapitelj). Its architectural style seamlessly combines elements of Gothic and Baroque, with a unique broken longitudinal axis due to the elevated chancel compared to the nave. The church's origins date back to before 1428, with remnants of the original structure, particularly the chancel with its three bays walled on five of eight sides, still preserved. Reconstruction commenced in 1493 concurrent with the establishment of the chapter and continued until 1623. A fire in 1576 caused damage, prompting Provost Polidoro de Montagnana to sponsor renovations, commissioning a new high altar and acquiring Tintoretto's painting, 'The Vision of Saint Nicholas' (c. 1582), which adorns the church. Subsequent enhancements in 1621 introduced Baroque arches to the nave and three Baroque chapels on each side. Throughout the centuries, the church underwent several transformations, including a Gothic-style rework in the 19th century and the installation of new side altars by Valentin Metzinger in 1733. A polygonal belfry replaced an older structure in 1860, while Matija Tomc renovated the main altar in 1868. Further adornments included the decoration of the chancel by Matija Koželj in 1901.

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