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Glagolitic (5)

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The Glagolitic script ( ⰳⰾⰰⰳⱁⰾⰹⱌⰰ, glagolitsa) is the oldest known Slavic alphabet. It is generally agreed to have been created in the 9th century by Saint Cyril, a monk from Thessalonica. He and his brother Saint Methodius were sent by the Byzantine Emperor Michael III in 863 to Great Moravia to spread Christianity among the West Slavs in the area. The brothers decided to translate liturgical books into the contemporary Slavic language understandable to the general population (now known as Old Church Slavonic). As the words of that language could not be easily written by using either the Greek or Latin alphabets, Cyril decided to invent a new script, Glagolitic, which he based on the local dialect of the Slavic tribes from the Byzantine theme of Thessalonica. After the deaths of Cyril and Methodius, the Glagolitic alphabet ceased to be used in Moravia for political or religious needs. In 885, Pope Stephen V issued a papal bull to restrict spreading and reading Christian services in languages other than Latin or Greek. Around the same time, Svatopluk I, following the interests of the Frankish Empire, prosecuted the students of Cyril and Methodius and expelled them from Great Moravia. In 886, Clement of Ohrid (also known as Kliment), Naum, Gorazd, Angelar and Sava arrived in the First Bulgarian Empire where they were warmly accepted by the Tsar Boris I of Bulgaria. Both the Glagolitic and Cyrillic alphabets were used until 13th-14th century in Bulgaria. The Cyrillic alphabet (which borrowed some letters from the Glagolitic alphabet) was developed at the Preslav Literary School in the late 9th century. The Glagolitic alphabet was preserved only by the clergy of Croatia and Dalmatia to write Church Slavonic until the early 19th century. Glagolitic also spread in Bohemia with traces in Pannonia, Moravia and Russia. With the adoption of Latin and Cyrillic alphabets in all Slavic-speaking countries, Glagolitic script remained in limited liturgical use for Church Slavonic in primarily Eastern Orthodoxy and Eastern Catholic Church observance, a direct descendant of Old Church Slavonic.

Glagolitic script - Wikipedia

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Data Points with Word "Glagolitic"

The Romanesque single-nave Church of St. Michael, dating back to the 13th century, stands on a nearby hill. Inside, it houses precious 15th-century frescoes that are still awaiting professional restoration. The frescoes were created using a technique of wall painting on fresh plaster, which requires speed and precision, as corrections can only be made by removing and replacing the entire plaster layer. To ensure accuracy, painters first sketched the design on cardboard and then transferred the outlines onto the fresh plaster. The artist behind these frescoes remains unknown, but the style is distinctly Gothic, with a notable tendency towards caricature, often evident in the exaggerated features like fleshy mouths and blunt noses. The central figure in the fresco is Christ, depicted kneeling before a chalice, with a wicker fence painted along the bottom edge. In the middle of the church stands a statue of St. Michael, while the left wall displays a series of frescoes illustrating scenes from the Bible, stretching from right to left. The right wall remains white and empty. The frescoes follow a chronological narrative, with only one scene depicting the birth of Jesus. The artist placed a particular emphasis on the resurrected Christ, highlighting the path He takes toward the final resurrection. The scenes, in order, are The Adoration of the Three Kings, The Last Supper, The Kiss of Judas (beneath which Glagolitic graffiti reads '1545, month of December, 16th'), Christ before Pilate (accompanied by Glagolitic script stating 'To pisa overflovan'), The Flagellation, St. George, and The Last Judgment. A window now occupies the space where St. George and The Last Judgment should be.

The Museum of Hum Aura is situated in a medieval building in the world's smallest town, Hum, located in Istria. This historic structure served various purposes over the years, including functioning as a granary known as Fontik and as the City Lodge where significant decisions were made for the community of Grašćaks and Homjans. In line with ancient Croatian customs dating back to the 12th and 13th centuries, the county prefect is still elected in the City Lodge on St. George's Day. The museum, opened in 2022, showcases almost 1500 exhibits arranged across 11 thematic units, representing different aspects of ancestral life and dominant crafts over the past 150 years. Interactive rooms allow visitors to engage in activities such as writing postcards using Glagolitic letters, making cream in the pharmacy, grinding coffee beans in an old mill, and filling bottles of brandy in an old distillery. Hum, known as the cradle of creation and the center of Glagolitic culture, offers visitors a unique experience where they can enjoy the smallest coffee in the world while exploring stories of Istria's past, local traditions, customs, and crafts.

Holy Trinity Church, known as cerkev sv. Trojice in Slovene and Chiesa della Santissima Trinità in Italian, is a historic structure situated in Hrastovlje, a village in southwestern Slovenia. Its origins are debated, with one theory suggesting it dates back to the 12th century as a Romanesque church, while another posits it as an exemplar of Istrian Early Venetian Renaissance architecture from the 15th century. Positioned beyond a protective wall erected by locals in the 16th century to shield against Turkish invasions, this church is part of defensive structures known as 'tabor' scattered across Slovenian-settled regions.History of the Church of the Holy Trinity in HrastovljeThe church in Hrastovlje stands on rock without deep foundations and is mainly built from exposed stone, typical of the coastal region. It lacks extensive plaster, revealing its construction. With only two windows due to local weather conditions, the interior remains dim. Modifications over time include the addition of a protective outer wall, reducing natural light. Distinct from other pilgrim churches, it has its bell tower on the west side. Despite its small size—11.7 meters long and 6.05 meters wide—it's considered an example of Istrian Renaissance architecture from the late 15th century. The current northwestern entrance was likely established around 1776, differing from the original entrance near the bell tower.The Interior of the Church of the Holy Trinity in HrastovljeJohannes de Castua (John of Kastav) completed painting Gothic frescoes in the church on July 13, 1490. These intricate artworks include Glagolitic script in some sections. Among the most renowned is the Dance of Death or 'Danse Macabre.' These masterpieces, concealed under layers of plaster, were unveiled in 1949 by the academic sculptor Jože Pohlen.The external wall of the Church of the Holy Trinity in HrastovljeLeander Zarotus likely fortified the church with a wall, expanding its defense. The 8-meter-thick limestone wall, reinforced around the late 15th century, envelops the entire structure, allowing only the bell-tower and its cross to emerge above it. Initially erected as protection against Turkish invasions, the wall is shaped as an irregular rectangle and features two bastion-like towers. One tower guards the southeast, while the other, on the northwest side, defends the entrance from the village. These towers show traces of two layers for archers, indicating a previous higher structure capable of accommodating three archer levels. Additionally, a former balcony above the entrance gates served as a vantage point for defense tactics such as hurling stones or pouring boiling liquids on assailants.

The Frankopans were closely attached to Trsat and frequently chose it as their last resting place. The graves of some members of the Frankopan family in the Church of Our Lady of Trsat are places where the large family saga gained a powerful mark of personal destinies. In the sanctuary of the Franciscan Church of St Mary on Trsat are the tombstones of Martin IV (died 1479), Bartol X Frankopan (died 1471) and Nikola Frankopan Tržački (died 1523). The chapel also testifies to the strength of the Frankopans' and the public's faith throughout the centuries. The oldest preserved item donated by a devotee of Our Lady of Trsat is the reliquary of Barbara Frankopan on which many relics of saints are found.Trsat belongs to nine Frankopan towns of the signatories of the Statute of Vinodol (Vinodol Code), the oldest Croatian law. It is written in the Croatian language and Glagolitic alphabet, and according to its regulations in many ways, it represents an advanced legal practice. The inhabitants of nine Vinodol municipalities: Novi, Ledenice, Bribir, Grižane, Drivenik, Hreljin, Bakar, Trsat, Grobnik for the purpose of protection of their rights in 1288 in what is today's Novi Vinodolski wrote down the people's legal customs, but they also considered them in the new circumstances of the relationship with the Frankopans.

Ruins of an old Franciscan monastery of Saint Nicholas and an old Gothic church, dating to the 15th century. The monastery was used by Franciscan Glagolitic monks of the third order, who managed to preserve Old Church Slavonic as a liturgy language even up to the 13th century. The monastery edifice was abandoned in 1843, when it was also partly demolished. Its ruins manifest characteristics of the Renaissance architecture. The church was victim of many robberies, and it was almost burnt to the ground in the 16th century. Remarkably, it withstood all those perils and it stands well preserved even today. Among its many distinct features are Glagolitic inscriptions on its walls.

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