The Ioan Slavici Classical Theatre, situated in the western region of Romania within the city of Arad, commands attention. Established in 1874, this theater stands as a testament to neoclassical architectural elegance. The initial design was conceived around 1862 by architect Anton Czigler, potentially in collaboration with his son, Győző Czigler. However, the actual construction commenced in 1869, overseen by the skilled architect Antal Szkalnitzky. Remarkably, the theater derives its name from Ioan Slavici, a distinguished Romanian writer who hailed from Șiria, a neighboring commune to Arad. Above the primary facade, positioned over three gates that grace three arches, stand six grand pilasters adorned with Corinthian-style capitals. These pilasters uphold a triangular triptych. Within the interior, a bas-relief titled 'Construirea Socialismu' finds its place, sculpted from artificial stone and spanning 19 meters in length, with a central height of 4 meters. This remarkable artwork was the collaborative creation of sculptors Valeriu Brudasco, Livia Cernenski, and Emil Vitroel, all guided by the direction of Ioan Tolan.
On the 18th of February in 1883, subsequent to a rehearsal of the play 'Henry IV,' a devastating fire razed the building to the ground. The responsibility of reconstruction was entrusted to Arad's skilled architect, Andor Halmay. Emerging from the ashes, the renovated theater triumphantly reopened its doors in October 1885, hosting a play authored by Gergely Csíki.
The year 1955 witnessed another calamitous fire that engulfed the structure. This unfortunate event marked the beginning of a comprehensive four-year reconstruction phase, resulting in a complete metamorphosis of the interior and significant alterations to the exterior. This period of transformation also heralded the creation of a new main entrance on the raised facade facing the central square. Spearheading these changes was Arad's architect Miloș Cristea. While the number of spectator seats experienced a notable reduction, a Studio hall emerged on the first floor, augmenting the theater's multifunctionality.
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