When did the Franciscan Church of the Annunciation attain protected status as a national cultural monument of Slovenia?

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The Franciscan Church of the Annunciation, also known as Frančiškanska cerkev in Slovene, stands prominently on Prešeren Square in Ljubljana, Slovenia's capital. Serving as the parish church of Ljubljana's Annunciation Parish, its origins trace back to a construction period between 1646 and 1660, likely replacing two or three earlier churches. The bell towers were added around 1720 under the direction of Francesco Olivieri and Francesco Rosina. In 1858, the church's exterior underwent redesigning based on plans by Franz Kurz zum Thurn und Goldenstein. Internally, frescoes by Matevž Langus [sl] in the mid-19th century and ceiling artwork by Matej Sternen in the early 20th century grace the church. The main altar, a prominent feature, was primarily crafted by the Baroque sculptor Francesco Robba in 1736. The church's distinct red or pink hue holds symbolic significance associated with the Franciscan monastic order. Recognized for its historical and cultural significance, the church attained protected status as a national cultural monument of Slovenia in 2008.The interior of the church showcases a basilica design in early-Baroque style, featuring a main altar crafted by sculptor Francesco Robba. Most frescoes, painted by Matevž Langus in the mid-19th century, and additional contributions by Janez Wolf in 1882, suffered damage during the 1895 Ljubljana earthquake. New ceiling frescoes in a Baroque trompe-l'œil style were executed by Matej Sternen in the 1930s. Regarding the facade, built in Baroque style between 1703–1706, it underwent a complete redesign in 1858, overseen by Franz Kurz zum Thurn und Goldenstein. The color was changed to red, replacing the previous white, and adorned with a statue of Our Lady of Loretto atop the entrance, replacing an older Black Madonna statue. The facade showcases pilasters with Ionic and Corinthian capitals, embellished with volutes, and sculptures of God the Father, an angel, and the Virgin Mary by Paolo Callalo. The entrance boasts a 19th-century wooden door featuring relief sculptures of women's heads. Renovations were carried out in the 20th century in 1961 and 1992–93.

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