What historical features were present on the site before the Church of the Assumption in Rijeka was built?

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The Church of the Assumption of the Blessed Virgin Mary was never destined to become a cathedral, even though the walls are evidence that the church has been here for centuries. It is situated beside the main intersecting Roman streets from east to west called decumanum, along the eastern periphery of the City walls and in the vicinity of the first port on the river Rječina. In the first century, a public thermal complex was located on this site until the beginning of the 4th century, when a new one was built. On the south side of the church, archaeological explorations have revealed the area of a hypocaust, the hollow floor used to heat the air within the thermae. At the present time, it is preserved under the foundations of the surrounding edifices.In the 5th and the 6th centuries, a part of the thermae was most likely transformed into an early Christian religious cult area. The findings of mosaics beside the church-tower as well as along its main forepart dating from late antiquity indicate that the forum, a City Square, was sited here with a plausible monumental public building. Judging by the structure of part of the north wall, and the inscription of the bell-tower dating from 1377, a smaller church with a freestanding bell-tower existed throughout the medieval era. Its existence was documented for the first time in the 15th century, when it was extending towards the east and west, resulting in a monumental baroque three-nave edifice with a classic facade from the year 1842, with an embedded Renaissance rosette and a baroque portal, and a work of art on the gable by one of Vienna's masters from the 1890s.In the period between 1716 and 1726, the Orlando family initiated the most important renovation of the church by bringing artists and masters from Ljubljana for the construction of a new apse and altar. Under the influence of the Venetian baroque, the sculptor Jacopo Contiero from Padova built the main altar. The Altarpiece Assunta is a work by Rijeka's painter Ivan Simonetti in 1852, as a replica of Tizian's famous work.

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