Andon Zako Çajupi (27 March 1866 – 11 July 1930) was an Albanian lawyer, playwright, poet and rilindas. While participating in the Albanian nationalist movement (especially between 1898 and 1912), Çajupi expressed his patriotic beliefs in the form of poetry and prose, with his poetry taking its cue from Tosk Albanian. The nationalist and patriotic messages of his poems made them extremely popular among Albanian adults and children, and led to Çajupi being revered as the most important Albanian poet after Naim Frashëri, a position he still holds in the modern state. Çajupi in 1898 also got involved in the Albanian alphabet question and wrote a series of articles in the periodical Albania where he advocated for adoption of a Latin script and objected to a Greek or Ottoman Turkish script for writing Albanian. In 1902, Çajupi published in Cairo an anthology, Baba-Tomorri ("Father Tomorr"), named after the Albanian mythological character. The volume contains nationalist themes, and it is divided into three sections: "Fatherland", "Love", and "True and False Tales". Çajupi also wrote plays and novels, with his work on Skanderbeg entitled Burr' i dheut ("The earthly hero") being published in 1907. Additionally, Çajupi wrote a comedy titled Pas vdekjes ("After the death") in 1910. Çajupi's most popular comedy is the posthumously-published Katërmbëdhjetë vjeç dhëndër ("A bridegroom at fourteen"). The four-act comedy is an attack on the traditional custom of arranged marriages. Çajupi's dramas and comedies are well known in Albania and are frequently performed. The poet died at his home in Heliopolis, Egypt, on 11 July 1930. His remains were transferred to Albania in 1958.

Andon Zako Çajupi - Wikipedia