1896 - Data Points by Date/Period

The Maisonneuve Monument (French: Monument à Paul de Chomedey, sieur de Maisonneuve) is a sculpture by Louis-Philippe Hébert, unveiled in 1895 in Montreal's Place d'Armes. It honors Paul Chomedey de Maisonneuve, the founder of Montreal, and was revealed on July 1, 1895, as part of the city's 250th anniversary celebrations. By 1896, the monument had become a central attraction, drawing crowds of curious visitors.In the 1890s, Montreal saw the creation of commemorative plaques, led by the Antiquarian and Numismatic Society, which played a key role in the development of the Maisonneuve Monument. Around the same time, the Société historique de Montréal erected an obelisk to honor the city's founders. These efforts united both Francophones and Anglophones, who found common ground in celebrating the heroes of New France, with each group emphasizing their own notable figures.

Duck Lake is a town in central Saskatchewan, Canada, located 88 kilometers (55 miles) north of Saskatoon and 44 kilometers (27 miles) south of Prince Albert on Highway 11. It lies within the Rural Municipality of Duck Lake No. 463, just south of the Nisbet Provincial Forest. The town is home to the Cree First Nations, with the band government of the Beardy's and Okemasis' Cree Nation based here. Duck Lake also housed St. Michael's Indian Residential School, one of the last residential schools in Canada, which closed in 1996. Founded by French-speaking Métis from Manitoba in the 1860s and 1870s, Duck Lake was one of the Southbranch Settlements. A Roman Catholic mission was established in 1874, and by 1888, the village had a school, post office (named Stobart), flour mill, and trading post. It was part of the District of Saskatchewan within the Northwest Territories from 1882 to 1905. The Battle of Duck Lake, marking the start of the North-West Resistance, took place here in 1885. Duck Lake was a key location where the Prince Albert Trail crossed the Carlton Trail, midway between Batoche and Fort Carlton. The All Saints Anglican Church, built in 1896 in Carpenter Gothic style, is a municipal heritage site with a cemetery that holds the graves of battle participants and early settlers. According to the 2021 Canadian census, Duck Lake had a population of 579 in 202 of its 232 private dwellings, with a population density of 243.3/km², reflecting a 1.8% increase from its 2016 population of 569.

Independence Gate, known in Korean as 독립문, or Dongnimmun, stands as a commemorative gate in Seoul, South Korea. Soh Jaipil envisioned its construction during the late 19th century, intending it to symbolize Korea's dedication to independence. Recognized as a Historic Site of South Korea in 1963, the gate was carefully relocated 70 meters northwest of its original position in 1979 to ensure its preservation. Dongnimmun boasts dimensions of 14.28 meters in height and 11.48 meters in width, crafted from around 1,850 granite pieces.In 1895, the Government of Joseon shifted its diplomatic stance, ending the sadae policy of treating China as superior. They symbolized this change by demolishing Yeongeunmun, a gate built in the 16th century to welcome Chinese diplomats. This marked their formal release from China's influence, solidified by the Treaty of Shimonoseki after the First Sino-Japanese War. Soh Jaipil proposed and King Gojong approved the construction of a new gate, named Independence Arch (Korean: 독립문), near Yeongeunmun's former site, symbolizing the nation's pursuit of freedom. To fund this endeavor, Soh founded the Independence Club and published Tongnip Sinmun, Korea's inaugural modern newspaper, encouraging public donations. The design of Independence Gate drew inspiration from Paris' Arc de Triomphe, with a blueprint crafted by a Swiss architect working for the German legation in Joseon. Construction commenced in 1896, overseen by Korean engineer Sim Ŭi-sŏk, and concluded in January 1898. In subsequent years, Independence Gate was designated a historic site of South Korea in 1963. Originally situated near Yeongeunmun's ruins, it was later relocated 70 meters northwest due to urban development, now residing in Seodaemun Independence Park alongside Dongnimmun for easy accessibility from Seoul Subway Line 3's Dongnimmun Station exits 4 or 5.

Republicii Street, known as the Gate Street in the medieval town of Brasov, holds historical significance as the main thoroughfare. An emblem of antiquity, the Drugstore Jekelius (located at no. 17) was constructed in the XVIth century, standing at the intersection with the present-day Michael Weiss Street, historically referred to as Nuns' Street in the Middle Ages due to its association with the Saint John Monastery, documented since the XVth century and later entrusted to the Franciscan Order during the XVIIIth century. On the southern side of Republicii Street, notable residences once stood, including the Hirscher family residence, replaced in 1908 by the Saxon National Bank headquarters, meticulously designed by the architect Albert Schuller of Brasov (at Michael Weiss Street 22). Albert Schuller also lent his design expertise to the construction of Hotel Coroana (The Crown) (1909-1910, at no. 62), embodying the '1900s style' in the German Jugendstil fashion for Brasov. Another contemporary architectural gem is the House of shoemaker Heinrich Bahmüller (at no. 16, 1906), where the façade resonates with the Viennese Sezessionul style, while the adornments of the house at no. 10 (1902) amalgamate neo-Gothic architecture with elements of the new style. The iconic House of confectioner Montaldo, also known as Tortenhaus (at no. 14), stands as a landmark building in the town, designed by architect Peter Bartesch in 1864. This building later became the residence of Baross hotel. At the eastern end of Republicii Street once stood the principal town gate, dismantled in the XIXth century along with the north-eastern fortifications of Brasov's Stronhold. Beyond the fortified wall's former location, where executions and witch burnings transpired in the Middle Ages, new administrative edifices were erected, such as The Finances Palace (1897-1898, now the City Hall), The Justice Palace (1902, presently the Prefecture), and The Post Palace (1906). Progressing from Portica towards Warthe, notable constructions include Vila Kertsch (1887, demolished in 1970), The Artisans Association's House (1902, now the Museum of Art), Vila Schuller (1896, deconstructed in 1962), The State Humanistic Superior School (1888-1889, now the T wing of the University), and The Reformed Church (1891-1892, designed by architect Alpár Ignátz), which was later demolished in 1963 to accommodate the new wing of 'Aro Palace' Hotel, planned by architect Iancu Rădăcină, and the modernist-styled construction by renowned international architect Horia Creangă, completed between 1938-1939. These newer edifices form a boundary towards the 'Stronghold' Rudolf Boulevard (Rudolfsring, later Carol I Boulevard, presently Heroes Boulevard), situated along the medieval defense ditch on the north-eastern side.

Located approximately 25 kilometers from the city of Drochia, nestled between the villages of Mindic and Cotova, lies the historic Mindic villa, ensconced within a truly distinctive manor park. The estate was acquired by the Oganovici (Ohanowicz) family, and it was their visionary efforts that bestowed upon this place its remarkable character. In the year 1896, they embarked on an ambitious project aimed at enhancing both the estate and its surrounding environs. This endeavor encompassed the construction of a park, the refurbishment of the manor house, the restoration and activation of three ponds, the creation of a stone-built family necropolis, and the establishment of a watermill, ingeniously connected via an underground pipeline extending one kilometer in length. Notably, the renowned architect Alexander Bernardazzi played a pivotal role in conceiving the park's design and the overall conceptualization of the manor. The park itself was meticulously designed, featuring carefully laid-out pathways with stone paving, an exquisite openwork metal bridge spanning a brook, aptly named the 'Bridge of Sorrow.' Every element within the park carries profound symbolism. For instance, a brook demarcates the boundary between the two sections of the park, symbolizing the fragile thread of existence separating the upper 'earthly' portion from the lower part, which represents eternity. It is in the lower reaches of the park that the necropolis finds its home. A lengthy avenue meanders through the park, signifying life's journey. At its midpoint, it intersects with a brook that feeds into the central pond of the manor. The park is home to a variety of unique tree species, and in close proximity to the black pine, one can find a substantial necropolis. The alley itself is flanked by majestic black walnut trees. Another distinctive aspect of the park is the harmonious blend of ornamental trees with fruit-bearing ones. During the Soviet era, the park and estate served as summer camps, resulting in the construction of unconventional structures such as residential buildings and a hostel within its bounds. Even today, remnants of pioneer sculptures from that time can still be spotted within the park. Following the dissolution of the USSR, the summer camp ceased its operations, leading to the abandonment of the park and manor. Regrettably, the manor house has fallen into a state of disrepair, alongside other structures on the premises. The necropolis suffered from local looting and was subsequently filled with concrete. Of the original three ponds, only two remain, as the third has succumbed to overgrowth and shallowness. The park itself has become nearly impassable due to thickets and shrubbery. Sadly, the watermill has vanished entirely, and the plundered manor now consists solely of supporting walls and an aged wooden staircase leading to the attic.

The Móra Ferenc Museum, located at Roosevelt Square 1-3 in Szeged, Hungary, stands prominently where the river Tisza and the city's Downtown Bridge (Belvárosi Bridge) converge. The museum serves as a hub for archaeological, ethnographic, historical, and scientific research, complemented by its seasonal exhibitions. Established in 1883, the Neoclassical edifice was inaugurated in 1896. The museum was later renamed in honor of its former Director, Móra Ferenc, in 1950. Within the Móra Ferenc Museum, notable artists like Victor Vasarely and Tivadar Csontváry Kosztka have showcased their creations. Notably, the museum's most successful seasonal exhibition at the time, in 2012, featured works by Mihály Munkácsy. This achievement was surpassed in 2014 with the 'Pharaohs’ Egypt' exhibition, drawing over 114,000 visitors by the year's end..Museum Collections.The Móra Ferenc Museum's collection encompasses several distinct exhibitions. The Móra Ferenc Memorial Room honors the museum's former Director, featuring personal belongings, furniture, and photographs of Mora Ferenc, an esteemed figure in Hungarian literature, archaeology, and research. The natural sciences exhibition, 'We Only Have One Earth,' delves into Earth's history from formation to the present, utilizing installations, ancient fossils, and a 3D animation to offer visitors a journey through millions of years. In the ethnographic display titled 'The Famous Town of Szeged,' the focus lies on Tisza-related activities, renowned crafts like slipper and knife-making, bullrush weaving, and the unique aspects of folk architecture. Interactive tools, audiovisual equipment, and visual material provide insights into the folk life of the Szeged region. The museum's spectacle of gold collection showcases approximately 10 kg of extraordinary and invaluable treasure. Notably, the gold artifacts of Nagyszéksos, an exceptional Huns treasure excavated by Ferenc Mora, take center stage. The exhibit also includes precious red gold, memorial coins, and distinctive household items, such as István Tömörkeny's golden pen and a tie pin bearing Lajos Kossuth's engraved portrait.

Situated at the convergence of the Tisza River and the Downtown Bridge, the Móra Ferenc Museum graces Szeged's heart with its striking architecture, an integral part of the city's landscape. This establishment serves as a prominent cultural hub in the region, housing both permanent and ever-changing temporary exhibitions. Within the 'Palace of Culture,' diverse research activities span archaeology, ethnography, history, numismatics, and natural science. Rooted in shared origins, the museum and the Somogyi Library were established in 1883, with the neoclassical building completed in 1896. In 1950, the museum and library parted ways, with the museum adopting the name of its former director, Ferenc Móra. Throughout its history, the museum has been led by esteemed figures such as János Reizner, István Tömörkény, and Ferenc Móra, distinguished archaeologists, historians, and scientists.

Situated along Tisza Lajos Boulevard, the Anna Thermal Bath in Szeged is an eclectic-style edifice with white walls that exudes a blend of architectural influences, including Oriental elements. The collaborative design efforts of Antal Steinhardt and Adolf Lang came to fruition in 1896 when the building was erected. Its original purpose was to serve as a communal bath for the city's residents. The name of the bath is derived from the nearby artesian well, drilled in 1927, which yielded its distinctive water. This curative water was initially bottled by Dezső Patzauer, and the bath's namesake, Anna, honors his daughter. The water from the Anna Well is renowned for its effectiveness in addressing digestive ailments and is often consumed as a therapeutic beverage, with the residents of Szeged frequently bringing it home. The bath offers a range of medical treatments and wellness services, creating an inviting space for relaxation, including nighttime bathing events.

Designed in 1890 by architects Viktor Axmann and Ivan Domes, the park features a statue of the Indian Queen Sakuntala, surrounded by two stone sphinxes placed at the entrance in 1896. Queen Sakuntala's story revolves around her unique birth, adoption by a sage, marriage to King Dushmanta, and the birth of their son Bharat, who later became a king.

The entire Slatina Bay has always represented Opatija's bathing area. The first bathing facility was constructed below the 'Milenij' hotel in 1886, followed by the construction of a pile dwelling-like building dating back to 1891 on the opposite side of the bay and in 1896 a huge bathing pavilion was built in the very centre of the bay. That pavilion was later expanded with built elements, demolished in 1979 and replaced with the current bathing area, built in a number of phases.

1896 (16)

Other Dates/Periods

14-09-2023

01-02-1883

19-12-2021

1334

27-11-2013

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