1894 - Data Points by Date/Period

The Château Ramezay is a historic building and museum located on Notre-Dame Street in Old Montreal, directly across from Montreal City Hall in Montreal, Quebec, Canada.Originally built in 1705 as the residence for Montreal's governor, Claude de Ramezay, the Château holds the distinction of being Quebec’s first designated historical monument and is the oldest private history museum in the province. It was recognized as a National Historic Site of Canada in 1949.The Château changed hands and functions several times over the years. After Ramezay’s descendants sold it to the Compagnie des Indes, it served as the headquarters of the Continental Army in 1775 when they captured Montreal. In 1776, Benjamin Franklin briefly stayed at the Château while attempting to recruit troops for the American Revolutionary War. Following the British conquest, the building served as a residence for British governors until 1849, known formally as Government House, complementing the governor’s residences in Quebec City and Sorel.In 1878, the Château became home to the Université de Montréal’s first Faculty of Medicine. By 1894, it had been purchased by the Numismatic and Antiquarian Society of Montreal, transforming into a museum and portrait gallery. In 1895, architect Sir Andrew Taylor led alterations to adapt the space for its new role.Today, the Château Ramezay Museum houses a collection of roughly 30,000 items, mainly donated by Montrealers, including manuscripts, artworks, numismatic items, ethnological artifacts, paintings, prints, and furniture. Between 1997 and 2002, the museum underwent extensive restorations, adding the Governor’s Garden, which was inaugurated in 2000. In 2003, it received the National Award of Excellence from the Landscape Architects of Canada and has welcomed over a million visitors to date.

Mary, Queen of the World Cathedral in Montreal, Quebec, is a significant Roman Catholic basilica and the seat of the Archdiocese of Montreal. Built between 1875 and 1894 to replace the burned Saint-Jacques Cathedral, it is modeled after St. Peter's Basilica in Rome. Originally named Saint James Cathedral, it was rededicated in 1955 to Mary, Queen of the World, following Pope Pius XII's proclamation. The church honors the 507 Canadian Papal Zouaves who defended the Papal States in the 19th century, with their names engraved inside. Designated a National Historic Site in 2000, the cathedral has undergone various restorations, including a significant renovation of its esplanade and narthex in 2003, and the cleaning of Bishop Ignace Bourget's statue in 2005.Measuring 101 meters in length and 77 meters at the dome's height, the cathedral stands as Quebec’s third-largest church. The construction was initially controversial, due to its location in a predominantly English-speaking part of Montreal. Today, the cathedral remains an important religious and cultural landmark, bridging Montreal’s history with the global Catholic community.

Settlement in the Bulyea area began between 1882 and 1883 with arrivals from Scotland, England, and Ireland, followed by German and Norwegian settlers in nearby districts. Rail service was established in 1905 when the Canadian Pacific Railway line from Lipton to Strasbourg was completed, attracting new settlers. By 1908, Bulyea had several businesses and three grain elevators. The rail line from Regina to Bulyea was finished in 1911.Bulyea was incorporated as a village in 1909 and named after George Hedley Vicars Bulyea. Born in Gagetown, New Brunswick in 1859, Bulyea moved west in 1892, spending a year in Winnipeg before settling in Qu’Appelle in 1893. He was elected to the North-West Territories Assembly in 1894 and became the Lieutenant Governor of Alberta in 1905.On July 1, 1925, Pool Elevator No.1 was inaugurated in Bulyea. The first load, fifty-seven bushels of No. 2 wheat, was delivered by Pool delegate P.B. Thompson, who received a $65.55 voucher. With a capacity of 30,000 bushels in 21 bins, the elevator operated until 1968, when a new grain elevator was built and the original was repurposed for storage. The Bulyea elevator ceased operations in 2000.

Shellbrook is a town in Saskatchewan, Canada, located about 44.5 kilometers (27.7 miles) west of Prince Albert. In 2011, the town's population was 1,433. It is accessible via Highways 3, 40, and 55, and is home to approximately 50 businesses offering various goods, services, and professional expertise.Settlers began arriving in the Shellbrook area in the late 19th century, with a post office established in 1894, named after the nearby Shell Brook. The early 20th century saw a larger influx of settlers, primarily of British and Scandinavian descent. The Canadian Northern Railway reached Shellbrook from Prince Albert in 1910, helping the town grow as a service hub for the surrounding agricultural region.The Shell Brook, now known as the Shell River, flows just north of the town, eastward to the Sturgeon River, which then empties into the North Saskatchewan River west of Prince Albert. Shellbrook is located near the northern edge of agricultural settlement, in a transition zone between the aspen parkland and boreal forest biomes. Early settlers cleared the land of jack pine forests to make way for crops, and the logs were rafted to Prince Albert, where many were used to produce railway ties.According to the 2021 Census by Statistics Canada, Shellbrook had a population of 1,510, living in 674 of its 710 private dwellings. This marks a 4.6% increase from its 2016 population of 1,444. The town covers a land area of 3.93 square kilometers (1.52 square miles), resulting in a population density of 384.2 people per square kilometer (995.1/sq mi).

The Cultural Center known as 'Reduta' holds the distinction of being one of Brașov's most ancient cultural establishments. Its origins date back to 1794, marking it as the inaugural performance venue in the city. It was designed in the late baroque style with Rococo influences, and its purpose encompassed hosting balls, theatrical spectacles, and musical performances. Positioned in the heart of the historic city center along Teatrulu Street (now Apollonia Hirscher Street). During the course of its history, the center witnessed notable events. Johann Strauss graced its stage with a concert in 1848, and in September 1879, the accomplished violinist Johann Joachim, accompanied by Johannes Brahms on the piano, mesmerized the audience during their tour through Transylvania . Moreover, the early 19th century saw the debut of Romanian theater performances within these walls. A group of amateur artists, inspired by George Barițiu, Andrei, and Iacob Mureșianu, pioneered these representations. The original Reduta was demolished in 1892 and then meticulously reconstructed between 1893 and 1894, funded by the 'Kronstadter Allgemeine Sparkasse' Bank, with the vision of creating a concert hall. The new 'Reduta' was meticulously crafted according to the blueprints of the city engineer Christian Kertsch. Adorning its facade in the Italian Renaissance style are busts honoring iconic figures such as Wagner, Schumann, Mozart, Beethoven, Goethe, Schiller, and Shakespeare. In the post-war era, 'Reduta' found itself utilized by the State Theater until March 1959. Subsequently, it was relocated to the Palace of Culture, established in 1958 and presently housing the 'George Barițiu' County Library, focused predominantly on educational pursuits. Within the Palace of Culture, 'Reduta' managed various independent formations and ensembles, initially tied to the Popular Art School. These included Romanian, Hungarian, and German theater formations, alongside Hungarian and German dance ensembles. Over time, it absorbed the 'Poienita' Folk Ensemble from the Popular Art School and even established a ballet circle. In 1965, the institution underwent a name change, adopting 'Municipal House of Culture' as its new title. Subsequently, it witnessed a surge in its offerings, encompassing diverse dance groups, choirs, and clubs, garnering national and international accolades. The year 1995 marked a pivotal point as the institution transitioned into 'țara Bârsei' Cultural Settlement. Eventually, in 2003, through a decisive move by the County Council (Decision no. 350/11.09.2003), it acquired the name 'Reduta' Cultural Center. The modern 'Reduta' now boasts a performance hall with a seating capacity of 370, an 'ICVasiliu' ballet hall, a 'Franz Liszt' music hall accommodating 70 individuals, an Arcadia hall (located in the basement), and the Council Hall with a seating capacity of 30.

The Natural History Museum in Sibiu has its roots in the mid-19th century with the establishment of the Transylvanian Society for Natural Sciences in 1849. Initiated by German-Saxon intellectuals, the society aimed to promote a passion for naturalism, share discoveries, and educate the youth about nature and its conservation. As collections grew, the need for dedicated storage space became urgent. By 1890, plans for a purpose-built structure were formed, leading to the construction's commencement in 1894 and subsequent opening on May 12, 1895. The museum showcases Italian High Renaissance architecture across three levels, underwent complete renovation from 2006 to 2008, and offers a courtyard for relaxation and observation of various plant species.

European Avenue, known as Europska avenija in Croatian, graces the cityscape of Osijek, Croatia. This thoroughfare stands as a paragon of beauty and significance within Osijek, distinguished by its captivating array of Secessionist edifices. Osijek holds a notable reputation for its Secessionist architectural marvels, a stylistic preference that once swept across the expanse of the Austro-Hungarian Empire. The splendid parade of palatial structures along European Avenue, predominantly repurposed as offices and local administrative hubs today, was erected during the early 20th century, echoing the design ethos of the famed 'Viennese secession.' Notably, the grandest among these edifices, the Postanska palača, bears the hallmark of 'the Hungarian secession' style. Alongside these stand various neoclassical buildings hailing from the 19th century, including the Municipal Court of Osijek. In the pantheon of residences adorning this boulevard, none beckons visitors more fervently than the Museum of Fine Arts. Within its walls resides an opulent collection of paintings and sculptures that eloquently portray the essence of the region. Among these treasures, noteworthy are the portraiture of Slavonian noble dynasties from the 18th and 19th centuries, as well as the romantically imbued landscapes depicting Slavonia and Baranja. Additionally, the oeuvres of Hugo Conrad Von Hötzendorff and Adolf Waldinger, luminaries responsible for establishing Osijek's artistic foundation, further enrich the museum's offerings.Timeline: By the end of the 19th century this street was extension of Kapucinska Street, with only few buildings on southern side of street. In 1894, the Palace of Croatian Chamber of Economy was built in the historicist style. In 1897, the Neumann building, today the home of Gallery of Fine Arts was built in the Italian renaissance style. From 1904 to 1906, on northern side of street were built a string of secession buildings. At this time the street was called Chavrakova Street (Croatian: Chavrakova ulica). In 1919, the street was renamed to Aleksandrova Street (Croatian: Aleksandrova ulica). It was called after then Yugoslav king Alexander. In 1941, the street was renamed to Ante Starčević Street (Croatian: Ulica Ante Starčevića). It was called after Croatian politician Ante Starčević. In 1946, the street was renamed to Boulevard of generalissimo Stalin (Croatian: Bulevar generalissimusa Staljina). It was called after Soviet dictator Joseph Stalin. In 1948, the street was renamed to Boulevard of Yugoslav People's Army (Croatian: Bulevar Jugoslavenske narodne armije). It was called after Yugoslav People's Army. In 1993, the street was renamed to European Avenue. In 2017, a number of the facade of many of the buildings were renovated, including the Municipal Court, partially by EU funds.

The Varna Archaeological Museum has a fascinating history closely intertwined with the efforts of the Škorpil brothers, Herman and Karel Škorpil, who hailed from Czechoslovakia and arrived in Bulgaria after the country's liberation from the Turkish rule. Settling permanently in Varna in 1894, the brothers dedicated themselves to the education and cultural development of their fellow Slavonic nation. In 1901, a group of socially active figures and educators established the Varna Archaeological Society, which has since served as a driving force behind the exploration and study of the history of Varna, the Varna Region, and Northeast Bulgaria. One of the Society's primary objectives was the establishment of an archaeological museum, and on June 11, 1906, the first exhibition of the museum was officially inaugurated in a room of the Girls' High School. Karel Škorpil assumed the role of director and held the position until his passing in 1944. In 1945, the Varna Archaeological Museum became state property, with Mr. M. Mirtchev assuming the directorship. The exhibition was relocated to a school building on 5 Sheinovo Street, which was generously provided to the museum. The museum's extensive collections and its strong commitment to research and collaborative work laid the foundation for the creation of other museums in Varna, such as the Navy Museum, the Ethnographic Museum, and the Museum of the Bulgarian Revival. Since March 3, 1983, the Varna Archaeological Museum has found its permanent home in the current building, which was originally designed as a Girls' High School by the renowned Bulgarian architect Petko Momchilov. The architectural style of the building reflects the 'New Renaissance' aesthetic. Featuring a basement area and two floors, the building is nearly square-shaped and includes a spacious inner yard. Some of the rooms and corridors are adorned with captivating wall paintings. A continuous corridor spans the entire structure, leading to the exhibition rooms. The museum's exhibition area covers an impressive 2150 square meters, excluding the storerooms, library, and the Educational Children's Museum. Over its more than 120-year existence, archaeologists associated with the Varna Archaeological Museum have tirelessly conducted excavations and archaeological investigations at various sites across Northeast Bulgaria. Today, the museum proudly holds a vast collection of over 100,000 objects, representing the region's diverse historical epochs.

The Sea Garden (Bulgarian: Морска градина, romanized: Morska gradina), or formally the Seaside Park (Bulgarian: Приморски парк, romanized: Primorski park) is the Bulgarian port city of Varna's largest, oldest and best known public park, also said to be the largest landscaped park in the Balkans. Located along the city's coast on the Black Sea, it is an important tourist attraction and a national monument of landscape architecture. The site where today the Sea Garden is located was until the middle of the 19th century a bare field outside the city walls. The person primarily associated and regarded as having done most for the garden's modern appearance is the Czech gardener Anton Novák, who had specialized at the Schönbrunn and Belvedere palaces in Vienna, Austria-Hungary. He was invited to work in Varna by his compatriot Karel Škorpil at the request of the municipality in 1894 and arrived in 1895, at the age of 35. One of Varna's best known buildings, the Varna Aquarium, was constructed in the garden in 1906–1911. During his time in Varna Novák did an immense work: he radically rearranged the garden and ordered the planting of valued plants from the Black Sea and the Mediterranean. His contract with the municipality was extended in 1899, when he was built a house still standing next to the entrance to the garden. The garden gradually grew to reach 90,000 m2 in 1905. Several fountains were added in 1912–1913, as well as partially electric lighting. The central alley was decorated with monuments of prominent Bulgarians by a special committee. The seaside casino was built in the 1930s and acquired its modern appearance after a reconstruction in 1960–1961. The park is the favourite place for recreation and fun of the citizens of Varna. Apart from the long alleys for promenades, the sea coast with the beach and numerous restaurants, bars and clubs, one could also enjoy a swimming pool complex and a children's playing ground with mini-entertainment park and a small pond with boats. Just before the main alley of the garden is situated the so-called 'bridge of wishes'- a small bridge which is believed to fulfil wishes if you cross it walking backwards and with your eyes closed.

Tartini Square (Slovene: Tartinijev trg, Italian: Piazza Tartini) is the largest and main square in the town of Piran, Slovenia. It was named after violinist and composer Giuseppe Tartini, of whom a monument was made in 1896. The square was once an inner dock for smaller vessels, such as fishing boats, and was located outside of the first city walls. In the Middle Ages the dock became surrounded by important buildings and palaces, because of which it became an important site of the town. However, because of the sewage which ended up there, the officials decided to bury the dock and set up a real square there in 1894. Around the newly created platform various new buildings appeared, including the town hall. Of those buildings, the only one that still has the original exterior is the Gothic house named Benečanka (Venetian house), dating to the 15th century. On the 300th anniversary of Tartini's birth a huge renovation of the square occurred, when an ellipse platform was formed out of white stone, designed by architect Boris Podrecca. In recent years there have been some changes to reduce the number of personal vehicles within the square in favor of tourism, so during the main season (July 1 to September 1) no vehicles are allowed to park within the square; instead they have to park in the town's car park in Fornače. There is also a line of free mini-buses which drive from Piran to various other coastal towns in the main season.

1894 (14)

Other Dates/Periods

23-01-1968

1348

08-04-1692

27-08-2012

29-06-1668

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