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1440 (3)

DATE/PERIOD

A different way to connect history and geography, time and space. This is the Date/Period page, developed to have temporal information displayed on the map. Below you can see the map displayed with data points which are connected to the date/period 1440 . Examples such as the date of the construction of a building, historical events that happened in a specific year/day, inaugurations, etc. can be seen through their presentation on a world map. The data snippets related to the date/period 1440 are also presented in a paginated list below the map. For suggesting geographical points (coordinates) related to the date/period 1440 please do not hesitate to contact us through the page 'Suggest Data', you can find the link at the bottom of this page.

Showing Data Points related to the date/period 1440

Pietrapelosa, also known by various names like Kostel or Kosmati grad, stands as a significant medieval castle in Istria, Croatia, although now in ruins. Its title, translating to 'hairy stone' in Italian, references the moss-covered walls that have adorned it for centuries. Despite its present state of decay, it stands as one of Istria's best-preserved castles, bearing witness to a rich and varied history. Dating back to 965 A.D., the castle's origins trace to a deed documenting its gifting by Rodaold, patriarch of Aquileia, to the bishopric of Poreč. Over the centuries, Pietrapelosa changed hands, finding itself owned by a family of German knights in the 13th century. These knights adopted the castle's name, calling themselves 'de Pietrapelosa.' Throughout its existence, Pietrapelosa was at the heart of conflicts between different powers. Notably, the Venetian commander Taddeo d'Este seized the castle in 1421, signaling the end of the patriarchs of Aquileia's rule in the region. Subsequently, the Venetian Council of Ten granted the castle to Nicolò Gravisi in 1440, awarding him the title of Marquis of Pietrapelosa. Under Gravisi's ownership, the castle underwent renovation and was repurposed as a summer residence. Tragedy struck in 1635 when a fire ravaged the castle's interior, leading to its eventual abandonment in the 18th century. The Gravis family retained ownership until the dissolution of the feudal system in 1869, solidifying their unique status as the only aristocratic family in Koper to possess such an estate. The castle, encircled by three-story walls, boasted a prominent four-story polygonal watchtower that doubled as living quarters. Additionally, it housed a 12th-century chapel dedicated to St. Mary Magdalene, built in the classic Istrian architectural style. Despite enduring numerous conflicts, the castle remarkably evaded destruction during wartime. However, abandonment eventually led to its dilapidation, and only recent restoration efforts have stemmed its decay. Though now in ruins, Pietrapelosa's commanding position offers a breathtaking view of Northern Istria, a testament to its enduring historical significance.

The Saint Nicholas Church of 'Şcheii Braşovului,' believed to date back to the 13th century according to tradition, played a central role in the spiritual, cultural, and artistic life of the Romanians in Ţara Bârsei. Archaeological excavations and historical documents indicate that the present-day structure replaced earlier wooden (1399) and stone (1440) buildings, funded by donations from Moldavia and Greater Wallachia princes, notably Neagoe Basarab (1512-1521). The current appearance of the church reflects extensive renovations during the 18th century, led by chronicler dean Radu Tempea IInd (1691-1742). Notable additions included the expanded triconical nave (1740) and two lateral oratories: Buna Vestire (The Annunciation) on the northern side (1733-1734) and Înălţarea Domnului (the Ascension of Our Lord) on the southern side (1750-1752). The interior was adorned with mural paintings by Grigore Ranite of Craiova (1738-1740) and Ioan, Iancu, Constandin, and Irimia (1752), influenced by the Hurezi School, a significant post-Brancoveanu art hub. In 1751, a clock tower was constructed on the western side of the church, financed by a donation from Tsarina Elisabeta Petrovna of Russia. Further modifications were made based on requests from voivodes across the Carpathians, Grigore Ghica and Constantin Mavrocordat. In 1940 and 1946, the ancient frescoes inside the church were replaced with a mural assembly by painter Costin Petrescu. Additionally, the post-Brancoveanu style iconostasis from the 18th century was gifted to the church of Predeluţ.

The House of Perkūnas is one of the most original and Gothic style secular buildings. Originally built by Hanseatic merchants (Hanseatic League) and served as their office from 1440 until 1532, it was sold in the 16th century to the Jesuits who had established a chapel there in 1643. The ruined house was rebuilt in the 19th century and served as a school and theatre, which was attended by Polish-Lithuanian poet Adam Mickiewicz. At the end of the 19th century it was renamed the "House of Perkūnas", when a figure, interpreted by the romantic historians of that time as an idol of the Baltic pagan god of thunder and the sky Perkūnas was found in one of its walls. Today, the house of Perkūnas once again belongs to the Jesuits and houses a museum of Adam Mickiewicz.

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