Complete guide to Visit Constanța (14)

The Constanța Casino, known as Cazinoul din Constanța in Romanian, is a former casino located in Constanța, Romania. Recognized as a historic monument by the Romanian Ministry of Culture and National Patrimony, the casino is situated on the seafront of Constanța along the Black Sea, in the historic Peninsulă District. The casino has seen several iterations, with the first structure, made of wood, being constructed in 1880. The current building, considered a symbol of Constanța, was built in the Art Nouveau style based on the designs of Daniel Renard. It was inaugurated in August 1910. Throughout its history, the casino operated as a gambling venue for 38 years, although its operations were interrupted by the two World Wars. It suffered damage during World War I, being attacked and bombed by Bulgarian and German troops, and was further ravaged in World War II. At one point, it served as a makeshift wartime hospital. In 1948, the building was converted into a community center, and later, in 1960, it was transformed into a restaurant. The last major renovations took place between 1986 and 1988. However, the casino has remained closed since 1990 due to high operational costs. Efforts have been made to rehabilitate the building, including attempts by Constanța City Hall in 2006. In 2007, it was leased to an Israeli company, but the building suffered further damage during their tenure. In 2018, the casino was listed as one of the 7 most endangered sites in Europe. The edifice was transferred to the administration of the National Investment Company in 2014, with plans for rehabilitation work. However, the project faced setbacks due to disqualification of participating companies and subsequent litigation. In January 2020, restoration work finally began after the Ministry of Development issued the order to proceed. The investment for the restoration is estimated to take 30 months, with completion expected in 2024. The casino has been the subject of long-standing efforts to preserve and restore its historical significance.

The Genoese Lighthouse, also known as Farul Genovez in Romanian, is a lighthouse and historical monument situated on the waterfront of Constanța, Romania, near the Constanța Casino. Positioned behind a group of statues featuring the bust of Mihai Eminescu, sculpted by Oscar Han, it adds to the scenic beauty of the area. Rising to a height of approximately eight meters, the lighthouse has a rectangular base that extends up to about three and a half meters before transitioning into an octagonal shape. Inside the lighthouse, there is a cylindrical space housing a stone spiral staircase. The structure rests on a two-step pedestal base and is crowned with eaves supported by brackets. The lantern room, which serves as both the roof and the metal housing for the lighthouse's beacon, completes the top section. Originally constructed around 1300 by the Genoese traders who engaged in port activities, the lighthouse played a crucial role in guiding ships within a range of about two nautical miles to the small port of Constanța. In the mid-19th century, between 1858 and 1860, the lighthouse was rebuilt by Artin Aslan, a French-Armenian engineer, under the commission of the British-owned Danube and Black Sea Railway Company. This restoration project aimed to pay tribute to the Genoese merchants who established a thriving sea trade community in the area.

The Folk Art Museum is situated in the historic area of Constanta at the intersection of Tomis Boulevard and Traian Street. Housed in a significant building with a rich history, it was constructed in 1893 and formerly served as the City Hall, known as the Municipal Palace. Since 1975, it has been the home of the Museum of Folk Art, a prominent cultural institution in Constanta. The museum originated from the idea of establishing an ethnographic museum at the seaside in the early 1960s, inspired by similar institutions in Sibiu and Bucharest. Initially focused on showcasing the ethnography of Dobrogea, the museum expanded its scope to encompass other ethnographic regions of Romania. In 1990, the Folk Art Museum gained legal recognition, becoming a significant presence dedicated to preserving and promoting traditional customs, folklore, and Romanian attire. The museum currently exhibits an impressive collection of over 15,000 artifacts that depict the folk culture from various regions of Romania. Visitors can explore galleries filled with glass and wood-painted icons, ceramics, costumes, carpets, fabrics, ornaments, and tools used by Romanian peasants. The collection encompasses a wide range of household objects made from wood, metal, or ceramics, representing diverse geographical areas. Notably, there is a remarkable collection of folk fabrics used for household and decorative purposes, featuring vibrant colors, floral designs, and ornamental compositions incorporating zoomorphic, anthropomorphic, and geometric motifs.

The bronze bust of Mihai Eminescu in Constanța is situated near the Genovese Lighthouse on a travertine plinth. It was created by sculptor Oscar Han in 1930 and unveiled in August 1934 along the waterfront near the casino and the sea. The bust stands at a height of 3 meters. On the plinth, there is a statuary representation of the face of one of the ancient muses of lyric poetry—Terpsihora or Erato. Some commentators suggest that the face actually represents Calliope, the muse of epic poetry, borrowing the features of Veronica Micle, Eminescu's muse. Mihai Eminescu, the national poet of the Romanians (1850-1889), stayed in Constanța for ten days in June 1882, residing in the attic of the Hôtel d'Angleterre which stood on the site later occupied by the Intim Hotel. The Intim Hotel, located on Nicolae Titulescu Street No. 9, is now a historical monument with a memorial plaque on its facade commemorating Eminescu's stay. The initiative to erect a monument to Eminescu in Constanța was undertaken by the teacher, writer, and translator Zoe Verbiceanu and the lawyer, publicist, and poet IN Roman, who had known Eminescu in his youth. In 1931, they established a committee named 'Pro-Eminescu' which, over a span of three years, worked tirelessly to promote Eminescu's work and raise funds for the monument's construction. The inauguration of the statue took place on August 15, 1934, at 1:15 p.m. King Carol II of Romania and his son, Crown Prince Mihai, were present as they were in Constanța to celebrate Navy Day. The ceremony included speeches by Rear Admiral Bălănescu, Minister of Public Instruction Constantin Angelescu, academician I. Bianu, and the king. Unfortunately, in March 2011, the massive bronze effigy, bearing the poet's name, was stolen from the plinth. This occurred despite the presence of two public guard stations in the vicinity of the monument and a military police station behind the statue, responsible for safeguarding the Fleet Command.

The Hünkar Mosque, also known as Geamia Hunchiar in Romanian and Hünkar Camii in Turkish, is situated at 41 Tomis Boulevard in Constanța, Romania. Constructed in 1869, the mosque was finished nine years before Northern Dobruja became part of Romania, during the reign of Ottoman Sultan Abdulaziz. Due to this historical significance, it is also referred to as the Aziziye Mosque. At the entrance of the mosque, within an oval medallion made of marble, the tughra of Sultan Abdulaziz can be found on the left side. The minaret, towering at 24 meters, commands attention in its surroundings. The building follows a simple Ottoman style, characterized by a tile roof and a cube-shaped structure reminiscent of the Kaaba. Its construction material consists of intricately carved stones sourced from the entrance gate of the Ottoman fortress. These stones were originally part of the walls, which were demolished in 1828. Interestingly, the stones used in the fortress walls were sourced from the Greco-Roman remains of ancient Tomis. In 2001, Turkish President Ahmet Necdet Sezer donated the interior carpet of the mosque. In the interwar period, the mosque faced the possibility of demolition, as some argued that the structurally weak minaret posed a danger to pedestrians. However, historian Nikolae Iorga successfully refuted this claim. During World War II, the mosque endured severe damage from Soviet bombings, and once again, the idea of completely demolishing it was raised. After the Romanian Revolution, the mosque underwent restoration while facing the challenge of new constructions surrounding the area. The Hünkar Mosque is officially recognized as a historic monument by Romania's Ministry of Culture and Religious Affairs.

Welcome to the page of Biserica Sfanta Treime - Constanta in Constanța. This element has been stored with the following categories Church,Religious Building. Coordinates of the place are 44.1821 (North), 28.6340 (East). We put on the map the perimeter of the Biserica Sfanta Treime - Constanta. The page needs some information so if you come across a blog post, a video with details or some other source that analyzes Biserica Sfanta Treime - Constanta please send us the info and we will insert it in the archive. In improving this page we also improve the page with the map of Constanța and consequently the map of Romania.

After the War of Independence, the Bulgarian community in Constanța requested land from the local authorities to construct a church dedicated to 'St. Cyril and Methodius' in 1898. The church, currently known as Sf. Nicolae Vechi, was consecrated in 1907 and adorned with paintings by Ioanid Batrânul. Following the Craiova Treaty of 1941, the Bulgarians gained ownership of places of worship in the Quadrilateru region, leading to the return of ownership rights over churches in Dobrogea. During the Second World War, the 'St. Apostles Peter and Paul' church served as a diocesan church after a bomb hit its altar. The Evangelical Church of the Augustan denomination on Karol Blvd. was demolished in 1961, and on April 9, 1963, the Constanța Municipal People's Council assigned the current church on Maior Gh. Șonțu Street to the Evangelical Cult for use and interior remodeling. The church underwent restoration and repainting by Ion Musceleanu after 1940, and in 1987, it was transferred to the Archdiocese of Tomis and the Lower Danube due to the dwindling number of members in the Evangelical Cult. Father Nicolae Voicu initiated consolidation works, and on December 6, 1987, the Holy Liturgy was celebrated for the first time since 1963. Father Nicolae Voicu later considered establishing a new church in the area, and from 1995, Father Marius Moșteanu oversaw the painting site. On November 21, 1998, the consecration of the painting took place. Various priests served in the church, including Father Bogdan Moise, who left to found another church, and Father Alin Constantin Boc was appointed to the vacant position by Archbishop Teodosie on April 4, 2003.

Located near the Casino boardwalk in Constanța, Romania, the Ion Jalea Museum stands as a unique cultural establishment solely dedicated to sculpture. Housed within an elegant Neo-Romanian style house, the building was designed by architect Victor Stephanescu after the Great War. Originally, it belonged to Constantin Pariano, who served as the governor of Constanța County in the early 20th century. Following the nationalization of the 'Pariano House' during Romania's Communist era, sculptor Ion Jalea decided to donate 108 of his personal artworks to the city of Constanța in 1968. The city officials then selected the 'Pariano House' as the location for the museum, subsequently named The 'Ion Jalea' Museum. After Ion Jalea's passing, his family further expanded the donation, which now comprises a collection of 227 works. Ion Jalea (1887-1983), born in Casimcea, Tulcea County, maintained a deep connection to the Dobrudjan region, as reflected in his dedication to capturing the physiognomies of locals, traditional attire, and local trades in a series of small-sized portraits and sculptures. Utilizing various materials such as plaster, bronze, stone, and marble, Jalea's thematic series encompasses allegorical, religious, and mythological figures, scenes depicting war and everyday labor, nudes, and portraits, culminating in his monumental works. The Ion Jalea Museum offers a remarkable journey through the sculptor's creative phases, showcasing his favorite themes and providing insight into his exceptional artistic trajectory.

The Communal Palace in Constanta is a massive and impressive building constructed between 1912 and 1921 under the guidance of architect Victor Stefanescu. The foundation stone was laid in 1912, and the construction faced challenges, leading to intermittent work due to cost increases and the outbreak of World War I. The building's construction was eventually completed between 1919 and 1921. The Communal Palace features neo-Romanesque architectural elements, such as a loggia, decorative columns, stone-framed windows, and a distinctive hall. In 1977, it became the Museum of National History and Archaeology, showcasing the history of Dobrogea with a national thematic area.

Designed by architect Nicolae Michaescu in a special Neo-Romanian style, it efficiently takes over the level difference between Ovidiu Square and sea level. Since 1948 it belongs to the National Bank of Romania - Constanta branch. Consolidation and restoration started in1997.