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Churches in Hungary (4)

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Showing Data Points related to the context Churches in Hungary

Data Points with Context "Churches in Hungary"

The Szent Rókus (Saint Roch) parish church in Szeged stands as a neo-Gothic Roman Catholic edifice, constructed between 1905 and 1909 based on the designs of Sándor Aigner . Situated in the Rókus district along the present-day Kossuth Lajos avenue, this church's location has historical significance. Earlier iterations of churches existed on the same site. The earliest was a Baroque-style plague chapel with a single tower, erected in 1739 as an offering to Szent Rókus (Saint Roch), the city's patron saint, in gratitude for the deliverance from the 1738 plague epidemic in Szeged. In 1805, a parish was established here, encompassing a kindergarten, school, and community center. Between 1829 and 1833, a new church was raised with a modest capacity of about 1,000 individuals due to financial constraints. This structure was significantly impacted by the Szeged flood of 1879, as it was situated in a lower-lying area. The current neo-Gothic church, with a capacity of nearly 2,500, was erected between 1905 and 1909. It briefly served as the cathedral following the relocation of the Diocese of Csanád to Szeged due to the Treaty of Trianon, until the Church of the Covenant assumed that role. This parish encompassed the working-class neighborhood, prompting the local parish priest to establish the first trade union for safeguarding female workers in a weaving factory. From 2019 to 2020, the church underwent exterior cleaning, resulting in its present excellent condition, ready to welcome both faithful followers and visitors .

The edifice, envisioned by Frigyes Schulek and finalized in 1884, is alternatively recognized as the 'Cockerel church' due to the embellishment of a rooster atop its tower. This exemplifies the art of restoration and collaboration that transpired subsequent to a significant flood. The selection of the church's location was orchestrated by Lajos Tisza, an appointed royal commissioner, and the plot was generously donated to the church without cost. The land's elevation was sponsored by Gregersen Guilbrandt, a Norwegian constructor, who, being a protestant himself, displayed great concern for the church's erection. The petite church, designed in the neo-gothic architectural style, was erected upon a plot of land resembling the shape of a triangular configuration. Its arrangement mirrors a clover leaf with three segments, and its aisles are oriented at 1200 angles to one another. Adjacent to the church, the eye catches the Protestant Palace, an eclectically styled edifice envisioned by Ede Magyar in 1911.

The Church of St. Nicholas, also known as the Serbian Orthodox Church, is situated in Szeged, Hungary. Serbs migrated to Szeged after the Battle of Kosovo, leading to the establishment of the Serbian Orthodox presence. A wooden church was built in the 16th century, followed by subsequent structures. The current Church of St. Nicholas, designed by Jovan Dobić, was constructed rapidly near the site of its predecessor. Bishop Arsenije Radojević gave his blessing in 1775, with construction commencing around that time. The base was consecrated in 1778, the nave completed in 1780, and the tower in 1781. The church's interior was finalized in 1805 by Bishop Jovan Jovanović. The Church of Saint Nicholas in Szeged features an ornate iconostasis that divides the altar from the nave. The iconostasis is designed in the rococo style and consists of 74 icons. The upper part was created by unknown artists, while the lower part was made by Jovan Popović, a Serbian Baroque artist. The iconostasis includes three sets of doors: the Deacon's Doors depicting Moses and Aaron, the King's Door with depictions of Gabriel, the Evangelists, and other figures, and the holiday icons depicting various events from Jesus' life. The iconostasis also features icons of the Father, Son, and Holy Spirit, as well as depictions of Apostles, Church Fathers, prophets, and the Last Judgment. The church underwent renovation and restoration after the 1879 flood, including the addition of a fresco depicting the creation of the world on the ceiling.

The Votive Church and Cathedral of Our Lady of Hungary, also known as Szegedi dóm or Fogadalmi templom in Hungarian, is a twin-spired church situated in Szeged. Construction began in 1913 but was delayed due to World War I, leading to its completion in 1930. This church serves as the cathedral for the Roman Catholic Diocese of Szeged–Csanád. It is Hungary's fourth-largest church, featuring a dome with a 54-meter exterior diameter (33 meters above the interior floor) and 91-meter high towers. Notable elements include the Heroes Bell, a substantial organ with 9740 pipes, and 134 ranks. The church was built in response to a pledge made by the residents of Szeged after a destructive flood in 1879. Designed by Frederick Schulek, it was constructed on the grounds of the medieval St. Demeter Church, with only the Dömötör tower remaining from the original structure. After being interrupted by World War I, construction resumed and concluded on October 24, 1930. The church's historical significance and grandeur are emphasized by its architectural features and the large-scale events that took place there. The church predominantly consists of brick construction, featuring two 91-meter high towers and a central large dome. The front facade displays a Grecian cross and rose windows, with a 3-meter-tall Madonna statue below, symbolizing Hungary's protection. Flanking the statue are paintings of the 12 Apostles, and adjacent to them are the main gate and side gates: one labeled 'Peace'/'Venite adoremus' and the other 'War'/'Vae victis'. Inside, the church is adorned with numerous frescoes. The primary fresco, 'Our Lady of Hungary,' is positioned behind the main altar, portraying Madonna wearing the Hungarian Crown, holding St. Stephen's coronation mantle, a mace, an orb, and Jesus as a child. Above the altar is another fresco, 'Madonna in Fur of Szöged,' depicting Madonna in traditional Hungarian attire, created by Ferenc Marton. The dome's fresco, painted by László Patay, is the focal point of the dome and showcases the procession of the Holy Ghost, along with depictions of St. Stephen, St. Elisabeth, St. Leslie, and St. Margaret. Within the main transept, the Altar of St. Anthony and the Heart of Jesus are situated. The left transept houses the marble Altar of St. Gerard, accompanied by statues of St. Gerard and St. Stephen. The right transept features the Altar of the St. Cross. Connecting the towers and transepts are side-chapels dedicated to St. Leslie, St. Elizabeth, St. Stephen, and St. Margaret. The church's interior is adorned with these elaborate artistic and religious elements, creating a rich and meaningful environment.

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